https://woodsculpturevintage.com Sun, 20 Sep 2026 23:14:15 +0000 en-US hourly 1 https://wordpress.org/?v=4.1.1 https://woodsculpturevintage.com/statue-wood-africa-sculpture-african-tribal-art-kneeling-female-male-vintage-x-3/ https://woodsculpturevintage.com/statue-wood-africa-sculpture-african-tribal-art-kneeling-female-male-vintage-x-3/#comments Sun, 13 Sep 2026 10:41:02 +0000 https://woodsculpturevintage.com/statue-wood-africa-sculpture-african-tribal-art-kneeling-female-male-vintage-x-3/ Read more → ]]>

























Traditional African tribal art sculptures, likely used for a ritual or a ceremonial purposes. The kneeling female figure on the left is a Yoruba female offering bowl also known as Olumaye. The standing male figure on the right could be Hemba male ancestor sculpture, or singiti figure. The bowl held by the female is used for offerings. There are some noted cracks as shown in pictures in the females left shoulder, the. Also comes with a wooded type of bird.

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Vintage African Tribal Art Hand Carved Heavy Ebony Wood Sculpture Woman 20Tall. DIMENSIONS: 6.5″ L X 20″ H. PRE-OWNED VINTAGE CONDITION WITH LIGHT WEAR CONSISTANT WITH AGE. PLEASE SEE ALL THE PHOTOS FOR DETAILS. CHECK OUR STORE & AUCTIONS FOR MANY OTHER ESTATE SALE FINDS INCLUDING. ANTIQUES & VINTAGE COLLECTIBLES, VINTAGE & DESIGNER CLOTHING, ACCESSORIES, JEWELRY, GLASS, CERAMICS, PORCELAIN, ARTWORK, HOME DECOR & MUCH MORE!

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ITEM : For your consideration we are presenting for sale a rare set of three (3) unique tiki / tribal head string art wall hanging plaques. Colors: Black, White and Red. They do not appear to be signed insofar as we’ve been able to detect. They display nicely, and are ready for their next home. Each head measures approx. 21.75″ tall x 7″ wide x 2 deep. CONDITION : Very good, all-original vintage condition – there are no chips, cracks, breaks, repairs, etc. All of the string is in place, and it is taut. Please ask them and we will respond back to you in a timely manner.

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Please Check Out Our Store. We Have Over 2000+ Listing and Are Adding More Daily! Everything You See in the Pictures Is What Is Included in This Lot. Photos Are the Best Description. Please Look at All Pictures Closely Before Purchasing. We Will Document Any Damage the Best We Can but the Photos Will Always Be the Best Way to Exam the Item. Items May Need a More in Depth Cleaning. We Will Do Our Best to Clean Every Item, Although Sometimes We Can’t Do a Full Thorough Clean. Message Us for Additional Photos or Questions. We of Course Will Get Them Out as Fast as We Can. We Will Help Resolve Whatever Issue You Are Having. We Try Very Hard to Provide Good Communication and Always Strive for Everyone to Have a Positive Experience.

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Vintage African Tribal Art Hand Carved Heavy Ebony Wood Sculpture Woman 20Tall. DIMENSIONS: 6.5″ L X 20″ H. PRE-OWNED VINTAGE CONDITION WITH LIGHT WEAR CONSISTANT WITH AGE. PLEASE SEE ALL THE PHOTOS FOR DETAILS. CHECK OUR STORE & AUCTIONS FOR MANY OTHER ESTATE SALE FINDS INCLUDING. ANTIQUES & VINTAGE COLLECTIBLES, VINTAGE & DESIGNER CLOTHING, ACCESSORIES, JEWELRY, GLASS, CERAMICS, PORCELAIN, ARTWORK, HOME DECOR & MUCH MORE!

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Key Characteristics & Origins. The figure features highly stylized, simplified facial features, an elongated or blocky torso, and an emphasis on the head. Similar carvings are traditionally found across several regions. Himalayan / Nepalese Folk Art. Shamanic ancestor figures or household guardians. Post figures or protectors often share this dark, heavily weathered wood texture and minimalist face shape. Hand-carved wooden ritual dolls or. Deity figures from various tribal communities across India display similar primitive proportions. Southeast Asian / Dayak Art. Certain protective or ancestral figures. Fragments from Borneo use similar dense, weathered woods with simplified human forms. The facial details are gouged directly into the wood with basic hand tools rather than refined chisels. The circular, hollowed-out eyes, simplified triangular nose, and rectangular slit mouth are prototypical elements of animistic or tribal carvings. Patina & Tool Marks. The head has a much darker, near-black surface layer compared to the lower neck. This contrast indicates the head may have been coated with a protective soot, oil, or sacrificial pigment, a common practice for protective statues in traditional homes or shrines. Horizontal carving grooves remain clearly visible on the forehead and cheeks. A prominent stress fracture runs from the crown of the head down through the left brow and eye, mirroring the larger split in the torso. This tells us the figure was carved from a single, solid log and has dried out naturally over decades of environmental exposure. Architectural Breakdown of the Top. The top of the head is intentionally carved into a series of raised, parallel ridges separated by wide, deep grooves. This stylized form typically represents stylized hair or a traditional tiered cap/headdress, a common convention in ethnographic folk carvings across West Africa, the Himalayas, and Oceanic cultures. You can clearly see flat, angular tool facets inside the grooves. This confirms the use of a traditional straight chisel or standard hand knife to scrape out the channels, rather than a modern curved gouge or rotating mechanical tool. The long vertical split visible in your previous images runs directly across these ridges, starting from the center of the crown. The way the wood grain splits cleanly across the cuts proves that the grooves were carved when the wood was still relatively green, and the stress crack naturally expanded over time as the log seasoned and contracted. Practical Insights from the Measurements. Standard Ritual Doll Proportions. An 8.5-inch height is typical for handheld ritual tokens, domestic shrine guardians, or tribal dolls meant to be carried or stowed in small household niches. The head accounts for roughly 3 inches of the total length, while the body makes up the remaining 5.5 inches. This highly exaggerated head-to-body ratio (roughly 1:3) is a deliberate stylistic choice common in animistic folk art to emphasize the seat of the spirit or intellect. Torso and Core Density. The thickest part of the torso spans from the 3-inch mark to about the 6-inch mark, showing that the remaining chunk of untethered wood is concentrated in a tight 3-inch block. Determining the exact age of a primitive wooden carving without lab testing is always challenging, but we can look at the physical indicators to make an educated estimate. This figure is likely an early-to-mid 20th-century artifact circa. It displays realistic, long-term degradation rather than artificial distressing, but it is not ancient. Key Factors for Dating the Figure. Drying and Stress Fractures. Wood shrinks as it loses moisture. The deep vertical split cutting completely through the head and torso takes decades to develop under normal indoor or sheltered conditions. The crispness of the split suggests it dried naturally over a long span of time. Rot on the Back vs. The dramatic wood rot, splintering, and loss on the reverse side of the torso indicate it spent a long period resting face-up on a damp floor or earthen surface. This kind of localized environmental decay takes several decades to form naturally. The dark coating on the head is not a modern chemical stain. Over time, parts of this coating have naturally chipped away to reveal a lighter, completely seasoned wood core beneath. The uneven ridges on top of the head and the gouged-out eyes show it was made entirely with traditional manual iron tools (knives or hand adzes) rather than precision electric tools, anchoring it to a traditional, rural folk environment. Among the three choices provided, this figure is most consistent with African culture, specifically West or East African traditional folk art. While its minimal style leaves some room for interpretation, it does not share the typical aesthetic conventions of the other two regions. The Middle East has historically avoided human-form wooden figurines due to deep-seated aniconic traditions (the religious avoidance of depicting sentient beings). Pre-Columbian and indigenous South American wood art looks vastly different-typically prioritizing highly flat, blocky forms, geometric step-fret body patterns, or distinct almond-shaped inlaid eyes. How It Connects to African Folk and Tribal Art. If we examine African ethnographic traditions, several highly specific visual matches exist for a small, 8.5-inch wooden figure with these exact traits. Mossi and Lobi Cultures (Burkina Faso / West Africa). These cultures are famous for carving small, highly simplified wooden dolls. Or ancestral protector stakes. They often feature an oversized head, small breasts carved directly on a blocky, cylindrical torso, and vertical linear grooves running across the crown of the head to represent braided hair or scarification. Kwere and Zigua Cultures (Tanzania / East Africa). These communities create iconic small ritual figures called. They are characterized by an abstracted torso, small cylindrical necks, a large head, and very distinctive parallel grooves carved straight across the scalp to mimic geometric hair patterns. Otherwise, the product is non refundable. That’s why I ask potential buyers for a discussion about the condition and quality of the product.

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A striking vintage hand-carved wooden tribal bust believed to have originated in Brazil. This substantial sculpture features intricate hand-carved details and a rich dark wood finish, making it an eye-catching display piece for any collection. Vintage hand-carved wood sculpture. Tribal/native bust design. Believed to have originated in Brazil during the 1970s. Heavy solid wood construction approximately 2.2 lbs.. Rich dark brown finish with detailed carved facial features and headdress. One-of-a-kind (OOAK) decorative folk art piece. Freestanding display sculpture. Who this item is good for. Collectors of tribal art, South American folk art, vintage décor enthusiasts, tiki collectors, rustic home decorators, and anyone looking for a unique handcrafted conversation piece. Measurements. Height: 13.5 in. Length: 5 in. Width: 2.5 in. Weight: Approximately 2.2 lbs. Material. Hand-carved solid wood. Condition. Very good vintage condition with light wear consistent with age. No major chips or cracks observed. Please review all photos carefully for complete condition details. Keywords: Brazil Wood Carving, Tribal Sculpture, Folk Art Bust, Hand Carved Statue, Vintage Wood Art.

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Large hand-carved African Kongo/Yombe style power figure standing approximately 35 inches tall. This impressive hardwood sculpture depicts a traditional hunter or warrior figure with a raised hand designed to hold a spear, staff, or ceremonial object. The figure wears a traditional headdress, carved beard, and shoulder satchel, all characteristic features associated with Kongo and Yombe carvings from Central Africa. The sculpture displays an attractive aged patina and substantial presence, making it an excellent display piece for collectors of African tribal art, ethnographic objects, folk art, and interior design. Hand-carved hardwood construction. Kongo / Yombe style figure. Raised hand for spear or staff (missing). Traditional headdress and beard. Shoulder satchel detail. Large 35-inch display size. Rich aged patina. Good vintage condition with age-related wear, surface losses, scratches, finish wear, patina, and a visible age crack to one side of the headdress. Missing original spear or staff. Please review all photographs carefully as they are part of the description. Approximately 35 inches tall. A striking and substantial example of African tribal art with exceptional display appeal.

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Vintage hand carved wooden tribal style statue depicting a standing woman figure. Decorative ethnic sculpture suitable for home decor display. Pre-owned condition with signs of age consistent with vintage items. Weight approximately 12.00 lb. Please review all photos carefully as they are part of the description.

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This vintage African Lwena style mask from Angola is a hand-carved wood sculpture that exudes tribal artistry and cultural significance. The intricately designed mask showcases the unique craftsmanship and artistic flair of the Angolan people, making it a valuable collectible for those interested in African cultures and ethnicities. With its authentic handmade quality and origins from Angola, this piece serves as a powerful representation of African heritage and tradition. Displaying this mask in your home or collection is a wonderful way to celebrate and preserve the rich cultural legacy of Angola.

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